Performances stunning in rock-solid 'Macbeth'

By Edward Reichel

Giuseppe Verdi wrote three operas based on the plays of William Shakespeare. The first of these is "Macbeth," written during his first decade of notable operatic works (this period also includes Ernani" and Nabucco").

The composer and his librettist, Francesco Piave, remained true to the original, But while being faithful to the play, Verdi and Piave crafted a work that fits within the confines of conventional Italian opera of the period. And with "Macbeth," perhaps more so than with many of Verdi's other operas, the text is as important as the music in carrying the drama and making it credible.

For the first time in 15 years, "Macbeth" returns to the Capitol Theatre in a production by the Utah Opera that boasts a strong cast together with fine stage direction (by Stephanie Sundine) and musical leadership (by conductor Joseph Rescigno).

In many ways, soprano Brenda Harris as Lady Macbeth makes this production work. She is a remarkably powerful singer who also possesses fine lyricism — exactly the type of voice one needs for this demanding role. And her acting skills are equally impressive. She captured the ruthlessness of her character as she pursues her quest for power.

Perhaps most striking was Lady Macbeth's mad scene. Harris brought conviction and depth to this scene that brought some unexpected poignancy to her character.

Baritone Louis Otey was no less stunning in the title role. His rich, finely modulated voice had power and also expressiveness. He brought breadth to his character. He was at once daring and bold as one of Scotland's great warriors, and he was also wracked with misery and fear for what he did (killing Duncan in order to become king).

In the smaller role of Banquo, bass Young-Bok Kim, a newcomer to Utah Opera, was in fine voice, as were tenors Jason McAdams (Malcolm) and Joshua Kohl (Macduff).

Praise must also be heaped on the Utah Opera Chorus. The chorus has a huge role in "Macbeth," with numerous costume and character changes, and they acquitted themselves magnificently. The Utah Opera Chorus has never disappointed, and at Saturday's opening night performance the singers in the ensemble outdid themselves.

Pacing was taut, and the members of the Utah Symphony playing in the pit for this production gave a solid and finely crafted performance.

"Macbeth" isn't done all too often, so if one has never seen it, this is a good time to do so. This is a rock-solid production that has everything that makes opera great.